Hey Friends! I’m Amanda (she/her/hers). I’m an unapologetically black social worker and Air Force veteran; I’ve been a maker since 2011. I made leather earrings from vegetable-tanned goat hide into organic and geometric shapes. I sold at a farmers’ market every Sunday while in grad school to help pay bills. I loved the process of cutting the leather staining and conditioning; moving through the stages of crafting is therapeutic for me.

 A few years ago I had another artist make a stamp of my logo and it was so perfect that I got obsessed with stamping and printmaking for my branding. Eventually I was spending more time creating branding materials and less making my earrings.

I took a break from full time making to invest in my social work and organizing career but I’ve always kept creativity and making close to my heart. I made my first block in 2018 and have been enjoying and playing and experimenting ever since. I launched my Etsy shop in May 2021.

I draw from my work in healing and anti-violence community justice and transformation to create visions of curiosity, joy, and belonging. I believe that cultural folklore, spiritual connection to the earth, and our own ancestral teachings show us how to survive and thrive together in a chaotic world.

I enjoy the wild ride of carving into birch plywood; a design rarely comes out as planned.  My approach to printmaking and design is simple; I start with shapes and curves that I’m drawn to.  As the images unfold, I develop a story around what appears, tapping into my subconscious.  I invite others to use these pieces as an oracle and make their own sense of what they see. 

FullSizeRender 2.jpg

Printmaker - Organizer - Educator

Spadework as a framework

According to Merriam-Webster dictionary, spadework is “the hard plain preliminary drudgery in an undertaking”. In organizing I have learned that it’s not the big actions that lead to sustainable change but the daily intentional work of relationship building, studying, unlearning, connecting intersections, and laying foundations that get us to where we strive to be when it comes to equality and justice.

I feel very similarly about my creative process; in relief printmaking, the spadework is in all the stages before we get to the final piece, not to mention the literal digging into wood and linoleum. I see the connections between my creative life in my political life and my intentions are to align them more and more.